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diretora

Born and raised in the Bay Area, Rachel has always sought to highlight the interconnectedness of the modern world from a multi-disciplinary and intersectional approach. She loves to start with the details and expand outwards, finding inspiration in directors like Greta Gerwig, Wes Anderson, Fernando Meirelles, and Stella Adler. Before arriving at UCLA, she studied at Los Angeles City College's Theater Academy where she began her journey as a director, translating the Brazilian play String of Endless Love into English and directing its American debut. Growing up watching telenovelas, Rachel now uses her fond childhood memories as inspiration for her foray into Latine theater, exploring magical realism whilst also finding a through line with the new and ever changing American theatrical canon. Using her long list of acting courses and varied methods, Rachel takes an actor’s approach to directing, following her instincts whilst collaborating with everyone on the production from pieces as small as a scene in class to a large scale production. You can see some of Rachel’s directing this Spring with her translated adaptation of Lisbela and the Prisoner.

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String of Endless Love

(Cordel do Amor Sem Fim)

by: Claudia Barral

translation: Rachel Frost & Guisela Rischard

Life is running its course for sisters Madalena, Carminha, and Teresa, but the day José is to propose to Teresa, she meets the love of her life, Antonio, who says he'll come back for her. When she turns José down and plans to wait, it causes a butterfly effect that will change their lives forever.

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True Love from Gods

Northeast Brazil's cultural & spiritual mixture of Catholicism and the polytheistic traditional African Candomblé

Though Northeast Brazilians often reference God outwardly, they pray to the Orixas (Gods) of Candomblé as well. This syncretism moved through the piece as a notable inspiration. Videos of dances in praise of these Orixas, more specifically Oxum (of love) and lemanja (of the waters), were used to inspire a collaboration with the actors and director to choreograph the piece's movement.

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